Welcoming New Pieces and the Arrival of Autumn
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
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Craftsman: Yuji Totani / Echizen City, Fukui Prefecture
Designer: Kairi Eguchi
Materials
Blade: VG7
Handle: Walnut (buffed finish)
Size: Approx. W255 × D40 × H18mm; Blade length: 130mm
Microwave: ✕
Dishwasher: ✕
・Do not use on frozen foods, bone-in fish, or meat. Do not twist the knife while cutting, as this may chip the blade.
・Do not heat the knife with fire. Do not use in microwave ovens or conventional ovens.
・Use the knife with a stable cutting board and ingredients. Do not use the knife if your hands are slippery due to oil or detergent, as this may cause injury.
・Avoid prolonged submersion in water. If water penetrates between the wood and the coating, or into small cracks in the coating, it will peel off. It is fine for the knife to be exposed to water as would occur during normal cooking, such as holding it with wet hands, but do not immerse it in a basin of water for extended periods.
・After use, wipe off moisture with a dry cloth.
・Dishwashers and dryers cannot be used. Wash with a soft sponge and neutral detergent. Scrubbing with the rough side of a sponge or a scourer will cause scratches.
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The Basic KnifeThis is a Petty knife (Tomoeba blade) by Yuji Totani, a traditional craftsman from Echizen City, Fukui Prefecture.
Totani-san highly values "a minimal and quiet aesthetic that fits into modern life," "the lightness unique to Echizen forged knives," and "ease of use that complements any dish."
The design, handled by Kairi Eguchi, is simple and fits comfortably in the hand, and the pleasant ease with which it cuts through any ingredient conveys the desire for it to be a long-lasting basic knife.
With a resharpening service available, there's also peace of mind in continuous use.
It's such an exquisite item that you might involuntarily murmur, "Nice to meet you," when you hold this beautifully minimalist knife.
>癶 -HATSU-
Santoku Walnut Octagonal
Tomoeba Walnut Octagonal
癶(HATSU)The radical "癶 (hatsugashira)" that "HATSU" takes as its motif is said to embody the meaning of "standing with both feet together when starting something."
The moment the user picks up the knife, the story of "cooking" begins.
And a new challenge for Totani-san begins, introducing the traditional craft of Echizen forged knives to more people.
This knife, named "癶" with thoughts of various "beginnings," is perfect for celebrating friends' milestones, housewarmings, and other moments of new beginnings, making it an appealing gift.
The Tomoeba blade offers stability and maneuverability.The "Tomoeba" (巴刃) is a mini-knife that combines the best features of a small Santoku and a petty knife.
Meaning "something that possesses two characteristics equally," it incorporates the maneuverability of a petty knife based on the solid sharpness of a small Santoku knife.
Its blade, which tapers towards the tip, allows for stable cutting of large ingredients and is a hybrid of a small Santoku and a petty knife, capable of intricate cutting and peeling.
Lightweight and compact, as is characteristic of Echizen forged knives, it allows for easy application of force and is useful in various situations with just one knife.
When actually peeling oranges or kiwis, it fits stably in the hand whether you place your finger on the base of the blade or grip it firmly, allowing for free and smooth handling and thin peeling without stress.
In addition to peeling, it also frequently comes in handy for cutting small ingredients like cucumbers and cherry tomatoes.
"Sharpener" Yuji TotaniTotani-san continues to create blades daily at Takefu Knife Village as a "sharpener," handling the sharpening and finishing of various blades, including double-edged knives.
More details about Takefu Knife Village can be found in "Hibinokoto".
He inherited the family business that was familiar to him since birth, established "Sharpening four," and launched his own brand "癶 (HATSU)" in 2023, imbued with his aspirations.
For Totani-san, blades and knives are a means to connect with people around the world, work with colleagues, and inspire possibilities and dreams for craftsmanship in the region and production area.
A knife is not just a tool; it is a gift infused with Totani-san's aspirations, fostering connections with like-minded individuals, contributing to the development of the production area, and creating new value for the future.
I believe that because Totani-san is involved in craftsmanship alongside us users, dedicates himself to perfecting knives, and continuously confronts the environment around him without compromise, he continues to produce essential goods.
Increase dining satisfaction with a good knifeI also want to enjoy the changes in my daily life that I feel with the changing seasons.
For example, on days when I feel like "Today, I'll try a slightly more serious dish!"
Using a Hatsu knife, it feels like I can prevent excess water and umami from escaping from the cut surfaces of ingredients, keeping their flavor and texture in better condition, significantly improving the dish's finish and the satisfaction of eating it.
Of course, I use it for daily cooking, but when I see a magnificent fish and want to gut it, or when I encounter a vegetable I've never seen before, I feel a little excited, even if I think it might be difficult to cook.
Why not use a Hatsu knife to try a different recipe than usual, create a menu centered around the ingredients of that moment, and incorporate newness into your life?
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【Care Instructions】
We also offer resharpening and repair services.
For inquiries, please click here
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HATSU HAJIME Walnut Octagon
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
一年ぶりの再会を漆のお椀でおもてなし 先日、わが家に嬉しいお客さまがいらっしゃいました。福井県・鯖江から足を運んでくださったのは、土直漆器の土田さん。お会いするのは、およそ一年ぶりです。作り手の方と直接お話しできる時間は、私にとって楽しみのひとつ。久しぶりにお会いした土田さんは相変わらず穏やかで、顔を合わせた瞬間から自然と会話が弾みました。 せっかく遠くから来てくださったので、ささやかなおもてなしを。以前、土直漆器さんに作っていただいた「雑煮椀」に、抹茶ゼリーや白玉、あんこを盛り付けてお出ししました。普段はお雑煮や汁ものを盛ることの多いお椀ですが、この日は少し趣を変えて、甘いものを。 漆器って、もっと自由でいい 漆のお椀に甘味を盛っても大丈夫かな、と出す直前まで少し気になっていたのですが、テーブルに並べると、土田さんはとても喜んでくださって。 「福井には、漆器にパフェを盛って出しているカフェもあるんですよ。だから、こういう使い方も全然OKです!」 そう言って笑顔で召し上がる姿に、私もすっかり安心しました。 漆器というと、どうしても「特別な日に使うもの」と少し構えてしまうところがあります。でも、こんなふうに甘いものを盛ってみたり、普段の食卓に取り入れてみたり。作り手の方から「もっと自由に使っていい」と聞くと、漆器との距離が少し近くなったような気がします。 そんな話をしながら、和やかにお茶の時間を過ごしていると、いつの間にか話題は「漆」のことへ。「最近、自分で金継ぎに挑戦してみたんですよ」と、先日のコラムで紹介した「辻田の金継ぎ」の話をしたときのことでした。 「あ、辻田さん!知り合いですよ」 思いがけないひと言に、びっくり。聞けば、辻田さんと土田さんは、同じ福井で漆に携わる作り手同士。以前からつながりがあったそうです。心惹かれたものの背景に、こんなふうに作り手同士のつながりがあると知ると、なんだか嬉しくなります。ひとつのうつわをきっかけに、また新しいご縁を知ることができたような気がしました。 はじめて出会った若狭塗 そんな話に花を咲かせていると、土田さんが大事そうに包みを開いて、ひとつのお椀を見せてくれました。 それが、若狭塗の「合鹿椀(ごうろくわん)」です。 包みを開いた瞬間、まず目に入ったのは、深い漆の艶と、外側に浮かぶ細かな模様。見る角度によって光の表情が変わり、ひと目見た瞬間に心を奪われました。 若狭塗は、卵の殻や青貝、松葉などを使って模様をつくり、その上から漆を幾重にも塗り重ね、最後に表面を研いで模様を浮かび上がらせる技法。なかでも、最後の「研ぎ出し」が若狭塗の大切な工程なのだそうです。 どこを、どのくらい研ぐのか。塗り重ねられた漆の下にある模様を見極めながら、少しずつ表情を引き出していく。その工程には、職人の経験と技術が詰まっています。 この見事な若狭塗を手がけたのは、福井県小浜市で100年以上続く「加福漆器店」の4代目、加福宗徳さん。小浜市に3人しかいない若狭塗伝統工芸士のお一人です。 ふたつの工房がつないだ一椀 さらに心を惹きつけられたのは、このお椀がふたつの工房の手仕事のリレーから生まれているということでした。 木地づくりから内側と底の漆塗りまでを手がける土直漆器さんと、外側の若狭塗を手がける加福漆器店さん。 内側には、欅(けやき)の木地に漆を塗り重ねる「木地呂塗(きじろぬり)」が施され、漆の艶の奥から美しい木目が浮かび上がります。外側の青貝や松葉が散りばめられた華やかな若狭塗とはまた違う、木そのものの温もりを感じる趣です。 それぞれの工房で受け継がれてきた技術が、ひとつのお椀のなかで見事に重なり合う。内と外で異なる表情を持つからこそ、手に取るたびにじっくりと眺めたくなる。なんとも贅沢な手仕事を見せていただいた気持ちになりました。 最後のひとつをわが家へ このお椀が完成するまでには、なんと2年もの歳月がかかったそうです。そして、つくられたのはわずか10個。 そんな貴重なお椀ですが、今回、土田さんの手元に残っていた最後のひとつを、特別にお譲りいただけることになりました。 土田さんとの久しぶりの再会から、思いがけず若狭塗のお椀に出会い、最後のひとつをわが家に迎えることになるとは。いくつものご縁が重なって手元に迎えることができたことを嬉しく思います。 これほど美しいお椀を、すぐに料理に使うのは少しもったいない気もして。しばらくは、光の加減で変わる青貝のきらめきや、漆の艶、内側に広がる欅の木目を、じっくり眺めていたい。...
Carving a New Concept of Time with Cherished Vessels Even our most treasured vessels can break in a fleeting moment. I, too, once accidentally dropped and broke a favorite piece....
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