Welcoming New Pieces and the Arrival of Autumn
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
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Maker: Kanedai Touki / Iga City, Mie Prefecture
Material: Ceramic clay
Size: Approx. Φ240 × H150 mm (Lid: approx. 270mm including handle)
Capacity: Up to fill line: approx. 1100ml
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Direct flame: 〇
・Since each piece of pottery is handmade, there may be slight individual differences in size and capacity.
・Placing the pot directly over a flame may cause it to crack. Always perform "Medome" (pre-treatment) before use.
Please read the "Medome" instructions below.
・We recommend using medium heat or lower.
・Never use for deep-frying foods like tempura or fried items, as this may cause a fire.
・Add water before heating. Heating an empty pot may cause it to crack. Also, placing a hot pot on a cold surface can cause it to crack.
・Handle the earthenware pot with extreme care while it is heating. Handling it with bare hands may cause burns.
・After use, wash thoroughly and dry completely before storing. Insufficient drying can lead to mold growth. (Sun-drying is recommended.)
・Wipe off any moisture from the outside of the earthenware pot, especially the bottom, before heating. Residual moisture can cause cracking.
・It may take some time for the pot to boil when used for the first time. Dissolving about 2 tablespoons of flour in hot water and boiling it for several minutes before use will help it boil more effectively.
・Fine cracks may appear on the surface of the earthenware pot, but this does not affect its use.
・When cooking porridge or similar dishes, please note that overflowing may occur from the rim of the pot.
"Medome"... Cook leftover rice with a little water until the rice becomes a paste (low to medium heat).
Once the surface bubbles and thickens, turn off the heat and leave it overnight.
The next day, discard the contents, wash, and dry thoroughly before using the earthenware pot.
Performing Medome helps prevent water leakage even if cracks appear at the bottom of the earthenware pot, allowing for continued use.
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Normally, your selected items will be shipped within 1 to 2 business days (excluding weekends and holidays).
In some cases, such as during busy periods or when extra care is needed for inspection and packaging, it may take a little longer. However, all orders will be dispatched within a maximum of 7 business days.
Should there be a delay beyond the usual timeframe, we will contact you via email in advance.
We will also send a shipping confirmation email with a tracking number as soon as your items have been dispatched.
*Please note that each separate order is shipped as a separate package.
Due to our system, we are unable to consolidate multiple orders after they have been placed. We appreciate your understanding.
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For international orders, your items will be shipped as soon as they are ready, and we are unable to accept specific delivery date or time requests.
[For Domestic Shipping Within Japan]
For orders placed by 12:00 PM (JST) on business days, the order will be processed on the same day. You may select a delivery date starting from 3 days after your order date.
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Kanedai Touki × Amenoi
This is a 7-sun earthenware pot from Kanedai Touki, a pottery kiln established in 1872 in Marubashira, Iga City, Mie Prefecture, a production center for Iga ware, with a history of 150 years.
The 7-sun earthenware pot features the glossy black color of "Tenmoku Glaze," which is rich in iron and common in Iga ware.
Iga has historically been known for its high-quality pot clay, so this pot is made from 100% Iga clay and contains no petalite.
It is said that if petalite were included, Tenmoku glaze could not be used, and the current color and texture would not be achievable.
While adding petalite has the advantage of making the pot less prone to cracking when heated, the heat penetrates quickly, making it difficult to fully bring out the flavor of the ingredients.
In contrast, Iga earthenware pots heat up slowly, allowing you to enjoy delicious hot pot dishes that bring out the natural flavors of the ingredients.
Kanedai Touki: Inheriting her father's legacy
Asuka Oya is the current head of Kanedai Touki.
Previously, she, her father Masato (the fourth generation head), and her mother Hiroko, worked together, with Asuka having grown up watching her father work since she was a child.
After Masato's sudden death in June 2021, Asuka, who had mainly been in charge of finishing, attended the Shigaraki Ceramic Research Institute for a year to study pottery wheel techniques to master molding. Now, as the head of the family, she and her mother work together to carry on the family business and dedicate themselves to pottery making.
Asuka's positive desire to "preserve the traditions that have been passed down for generations," combined with her long experience watching her late father Masato, results in an earthenware pot that is delicate yet somehow robust, offering an absolute sense of security.
Iga Ware
Iga ware is famous as a production center for earthenware pots, and the Iga region, once said to be the bottom of Lake Biwa, is known for its heat-resistant clay.
Pottery made from this clay develops countless holes when organic matter within the clay burns out during high-temperature firing.
These holes give it excellent heat resistance; once heated, it cools slowly and distributes heat evenly, making it ideal for earthenware pots and other ceramic items. It is highly durable, strong, and long-lasting.
The porous clay of Iga, with its many air pockets, is said to "breathe," providing a high far-infrared effect that gently and thoroughly heats ingredients to their core.
In addition to being practical, it has a simple and warm design, with an underlying strength, the texture of the clay, and a background protected by craftsmen who inherit a long history and traditional techniques. Its charm increases with use, and you can enjoy its aging process, making an earthenware pot a cherished item to have in every home.
Seasoning the Pot (Medome)
To use it carefully and for a long time, it's important to be aware of the usage precautions due to the nature of the clay.
Before using it for the first time, a process called "medome" (seasoning) is essential.
Cook leftover rice with a little water over low to medium heat until it becomes a paste.
Once it bubbles and thickens, turn off the heat and let it sit overnight.
The next day, discard the contents, wash, and dry thoroughly. Then it's ready.
Seasoning the pot prevents water leakage even if cracks appear at the bottom, allowing you to use it with peace of mind.
Gathering Around Japanese Hot Pot Dishes
Kanedai Touki's earthenware pots keep food warm, so I don't need to reheat them often, which is a great help.
Another nice thing about hot pot dishes is the wide variety of recipes available.
In Japan, with its broth culture, you can enjoy a wide range of hot pots, from classic to unique, such as nutritious hot pots using seasonal vegetables, sukiyaki, shabu-shabu, motsunabe (offal hot pot), sundubu (Korean soft tofu stew), and ethnic-style hot pots rich in seafood. Feel free to make whatever your heart desires, depending on the season and your mood.

・Fine cracks may appear on the surface of the earthenware pot, but this does not affect its use.
"Medome" (Seasoning): Cook leftover rice with a little water over low to medium heat until it becomes a paste.
Once it bubbles and thickens, turn off the heat and let it sit overnight.
The next day, discard the contents, wash, and dry thoroughly before using the earthenware pot.
Seasoning the pot prevents water leakage even if cracks appear at the bottom, allowing for continued use.







Kanedai Ceramics 7-inch Donabe Pot Black
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
一年ぶりの再会を漆のお椀でおもてなし 先日、わが家に嬉しいお客さまがいらっしゃいました。福井県・鯖江から足を運んでくださったのは、土直漆器の土田さん。お会いするのは、およそ一年ぶりです。作り手の方と直接お話しできる時間は、私にとって楽しみのひとつ。久しぶりにお会いした土田さんは相変わらず穏やかで、顔を合わせた瞬間から自然と会話が弾みました。 せっかく遠くから来てくださったので、ささやかなおもてなしを。以前、土直漆器さんに作っていただいた「雑煮椀」に、抹茶ゼリーや白玉、あんこを盛り付けてお出ししました。普段はお雑煮や汁ものを盛ることの多いお椀ですが、この日は少し趣を変えて、甘いものを。 漆器って、もっと自由でいい 漆のお椀に甘味を盛っても大丈夫かな、と出す直前まで少し気になっていたのですが、テーブルに並べると、土田さんはとても喜んでくださって。 「福井には、漆器にパフェを盛って出しているカフェもあるんですよ。だから、こういう使い方も全然OKです!」 そう言って笑顔で召し上がる姿に、私もすっかり安心しました。 漆器というと、どうしても「特別な日に使うもの」と少し構えてしまうところがあります。でも、こんなふうに甘いものを盛ってみたり、普段の食卓に取り入れてみたり。作り手の方から「もっと自由に使っていい」と聞くと、漆器との距離が少し近くなったような気がします。 そんな話をしながら、和やかにお茶の時間を過ごしていると、いつの間にか話題は「漆」のことへ。「最近、自分で金継ぎに挑戦してみたんですよ」と、先日のコラムで紹介した「辻田の金継ぎ」の話をしたときのことでした。 「あ、辻田さん!知り合いですよ」 思いがけないひと言に、びっくり。聞けば、辻田さんと土田さんは、同じ福井で漆に携わる作り手同士。以前からつながりがあったそうです。心惹かれたものの背景に、こんなふうに作り手同士のつながりがあると知ると、なんだか嬉しくなります。ひとつのうつわをきっかけに、また新しいご縁を知ることができたような気がしました。 はじめて出会った若狭塗 そんな話に花を咲かせていると、土田さんが大事そうに包みを開いて、ひとつのお椀を見せてくれました。 それが、若狭塗の「合鹿椀(ごうろくわん)」です。 包みを開いた瞬間、まず目に入ったのは、深い漆の艶と、外側に浮かぶ細かな模様。見る角度によって光の表情が変わり、ひと目見た瞬間に心を奪われました。 若狭塗は、卵の殻や青貝、松葉などを使って模様をつくり、その上から漆を幾重にも塗り重ね、最後に表面を研いで模様を浮かび上がらせる技法。なかでも、最後の「研ぎ出し」が若狭塗の大切な工程なのだそうです。 どこを、どのくらい研ぐのか。塗り重ねられた漆の下にある模様を見極めながら、少しずつ表情を引き出していく。その工程には、職人の経験と技術が詰まっています。 この見事な若狭塗を手がけたのは、福井県小浜市で100年以上続く「加福漆器店」の4代目、加福宗徳さん。小浜市に3人しかいない若狭塗伝統工芸士のお一人です。 ふたつの工房がつないだ一椀 さらに心を惹きつけられたのは、このお椀がふたつの工房の手仕事のリレーから生まれているということでした。 木地づくりから内側と底の漆塗りまでを手がける土直漆器さんと、外側の若狭塗を手がける加福漆器店さん。 内側には、欅(けやき)の木地に漆を塗り重ねる「木地呂塗(きじろぬり)」が施され、漆の艶の奥から美しい木目が浮かび上がります。外側の青貝や松葉が散りばめられた華やかな若狭塗とはまた違う、木そのものの温もりを感じる趣です。 それぞれの工房で受け継がれてきた技術が、ひとつのお椀のなかで見事に重なり合う。内と外で異なる表情を持つからこそ、手に取るたびにじっくりと眺めたくなる。なんとも贅沢な手仕事を見せていただいた気持ちになりました。 最後のひとつをわが家へ このお椀が完成するまでには、なんと2年もの歳月がかかったそうです。そして、つくられたのはわずか10個。 そんな貴重なお椀ですが、今回、土田さんの手元に残っていた最後のひとつを、特別にお譲りいただけることになりました。 土田さんとの久しぶりの再会から、思いがけず若狭塗のお椀に出会い、最後のひとつをわが家に迎えることになるとは。いくつものご縁が重なって手元に迎えることができたことを嬉しく思います。 これほど美しいお椀を、すぐに料理に使うのは少しもったいない気もして。しばらくは、光の加減で変わる青貝のきらめきや、漆の艶、内側に広がる欅の木目を、じっくり眺めていたい。...
Carving a New Concept of Time with Cherished Vessels Even our most treasured vessels can break in a fleeting moment. I, too, once accidentally dropped and broke a favorite piece....
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