Welcoming New Pieces and the Arrival of Autumn
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
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Maker: HAL Musui / Hiroshima City, Hiroshima Prefecture
Materials
Material: Aluminum alloy
Interior: Hairline finish
Exterior: Mirror finish
Bottom exterior of main body: Special magnetic film processing + heat-resistant coating
Dimensions
Main body: Approx. W274 (including handle) x D218 x H78mm
Lid: Approx. W274 (including handle) x D218 x H34mm
Inner diameter: Approx. 200mm
Full capacity: Main body 2.4L, Lid 1.0L
Rice: Up to 4 cups
Microwave: ×
Oven: △ (up to 280 degrees)
Dishwasher: ×
IH: 〇 (Lid is ×)
Direct flame: 〇
*Lid is for direct flame only
[Before First Use]
Thoroughly wash the pot and lid. Add water with rice water or vegetable scraps and boil for about 10 minutes. This forms an oxide film, which prevents the black discoloration characteristic of aluminum pots.
[Care After Use]
- Once the pot has cooled enough to be handled, wash it with a sponge and mild dish soap, then rinse thoroughly.
- Do not immerse the pot in cold water immediately after cooking or leave it soaking. Rapid cooling can damage or deform the pot.
- After washing, wipe off all moisture thoroughly and ensure it is completely dry before storing it in a low-humidity location. Insufficient drying or prolonged wetness can cause discoloration.
- If food is scorched, gently warm the pot to loosen the burnt residue, then scrub it off with a metal scourer and cleanser. Afterward, wash with a sponge and mild dish soap. Do not use baking soda.
- Do not heat the thermal sprayed surface (the black part of the pot bottom) when wet, and avoid using it if stained with boil-overs or other residue.
- For other precautions, please read the instruction manual carefully and use the product safely.
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A multi-functional waterless pot that performs 8 rolesThis waterless pot, crafted by Hiroshima Aluminum Industry Co., Ltd., was originally developed for cooking rice in 1953 and has been reissued to be compatible with IH cooking to suit modern lifestyles.
It comes in three sizes: 18cm, 20cm, and 24cm in inner diameter.
I use the 20cm size, which can cook up to 4 go (approx. 600g) of rice, and it's perfectly sufficient for a two-person household.
It was born from the desire to "cook delicious rice like in a traditional kamado pot, even with gas or IH," and the wish for people to "enjoy healthy food that brings out the deliciousness of ingredients through waterless cooking."
The precise craftsmanship of the artisans at Hiroshima Aluminum Industry, which boasts reliable technical prowess in manufacturing parts for famous automobile manufacturers in Japan and around the world, is truly evident when you close the lid.
Moreover, this single pot is a superb item that can perform eight roles: "boiling, steaming, simmering, blanching, baking, stir-frying, deep-frying, and oven cooking."
Its lightweight, durable, and simple design is also appealing, and acquiring a new tool always lifts my spirits.
Additionally, the waterless pot is made of aluminum, which conducts heat quickly, and its thick cast construction offers excellent heat retention, allowing for cooking with residual heat.
Utilizing residual heat effectively can also save gas and electricity, so it's sure to be very useful in the future.
KING Waterless Pot 18 / KING Waterless Pot 20 / KING Waterless Pot 24
First useFirst, wash thoroughly with a sponge and neutral detergent. For the interior, use a firm sponge and be especially meticulous along the grooves.
Then, to prevent discoloration, add rice water (from rinsing rice) to both the pot and lid and boil for about 10 minutes.

First, preheat the pot over low-medium heat for about 2 minutes to prevent ingredients from sticking.
The ideal temperature for adding ingredients is when water sprinkled into the pot forms beads and rolls around.
I referred to the Nikujaga recipe available on the "HAL Musui" website, which updates new recipes monthly.
I was surprised by how easy it was—just add ingredients and leave it—and most importantly, how quickly it cooked to a tender texture, with the flavors thoroughly absorbed.
The circulating steam inside the pot gently cooks the ingredients, allowing you to fully enjoy their natural flavors without losing the water-soluble umami, which is a unique charm of a waterless pot.
Tako-meshi (Octopus Rice) cooked in a waterless pot with a traditional kamado pot heritageCooked rice dishes are also easy to make in a waterless pot.
Just turn on high-medium heat until the lid rattles, signaling it's boiling, then immediately reduce to low heat. It's that simple to try.
The perfectly fitting structure of the pot and lid allows for even cooking due to the natural pressure created even on low heat, retaining heat and maintaining a high temperature.
As expected from a pot developed for cooking rice, my usual rice comes out fluffier and chewier.
When you open the lid, the rice grains stand up beautifully, which is very appetizing.

The lid of the waterless pot can also be used like a frying pan.
This time, I tried using the pot itself as a lid, and the vegetables were perfectly steamed without burning, resulting in a nicely browned, soft, and juicy finish.
This single pot handles various cooking tasks, and its simple design, along with easy cleaning after use, was a great help.

It allows for quick cooking even on busy days, making it useful for hectic mornings.
I used to think that the more effort you put into cooking, the better it tastes, but just by making a small change to the tools you use, the outcome of your cooking can drastically improve.
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Manufacturer: HAL Musui / Hiroshima City, Hiroshima Prefecture
Materials
Material: Aluminum alloy
Interior: Hairline finish
Exterior: Mirror finish
Bottom exterior of main body: Special magnetic film processing + heat-resistant coating
Size
Body: Approx. W274 (including handles) × D218 × H78mm
Lid: Approx. W274 (including handles) × D218 × H34mm
Inner diameter: Approx. 200mm
Full capacity: Body 2.4L, Lid 1.0L
Rice: Up to 4 go
Microwave: ×
Oven: △ (up to 280 degrees)
Dishwasher: ×
IH: 〇 (Lid is ×)
Direct flame: 〇
*Lid is for direct flame only
------------------------------------
【Before first use】
Wash the pot body and lid thoroughly, then fill with water and rice rinse water or vegetable scraps, and boil for about 10 minutes.
This forms an oxidized film, which prevents the characteristic black discoloration of aluminum pots.
【Care after use】
・Once the pot has cooled enough to be touched by hand, wash it with a sponge and neutral detergent, then rinse thoroughly.
・Do not cool rapidly by immediately submerging in water after cooking, or leave it immersed in water. Rapid cooling can cause damage or deformation to the pot.
・After washing, wipe off all moisture thoroughly and store in a dry place with low humidity. Insufficient drying or prolonged wetness can cause discoloration.
・If food is burnt, gently warm the pot to loosen the burnt residue, then scrub it off with a metal scrubber and cleanser. Afterward, wash with a sponge and neutral detergent. Avoid using baking soda.
・Do not place the sprayed surface (the black part of the pot bottom) on heat when wet, or use it with spilled food or other dirt attached.
・For other precautions, please read the instruction manual carefully and use safely.





HAL MUSUI KING Muji Nabe 20
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
一年ぶりの再会を漆のお椀でおもてなし 先日、わが家に嬉しいお客さまがいらっしゃいました。福井県・鯖江から足を運んでくださったのは、土直漆器の土田さん。お会いするのは、およそ一年ぶりです。作り手の方と直接お話しできる時間は、私にとって楽しみのひとつ。久しぶりにお会いした土田さんは相変わらず穏やかで、顔を合わせた瞬間から自然と会話が弾みました。 せっかく遠くから来てくださったので、ささやかなおもてなしを。以前、土直漆器さんに作っていただいた「雑煮椀」に、抹茶ゼリーや白玉、あんこを盛り付けてお出ししました。普段はお雑煮や汁ものを盛ることの多いお椀ですが、この日は少し趣を変えて、甘いものを。 漆器って、もっと自由でいい 漆のお椀に甘味を盛っても大丈夫かな、と出す直前まで少し気になっていたのですが、テーブルに並べると、土田さんはとても喜んでくださって。 「福井には、漆器にパフェを盛って出しているカフェもあるんですよ。だから、こういう使い方も全然OKです!」 そう言って笑顔で召し上がる姿に、私もすっかり安心しました。 漆器というと、どうしても「特別な日に使うもの」と少し構えてしまうところがあります。でも、こんなふうに甘いものを盛ってみたり、普段の食卓に取り入れてみたり。作り手の方から「もっと自由に使っていい」と聞くと、漆器との距離が少し近くなったような気がします。 そんな話をしながら、和やかにお茶の時間を過ごしていると、いつの間にか話題は「漆」のことへ。「最近、自分で金継ぎに挑戦してみたんですよ」と、先日のコラムで紹介した「辻田の金継ぎ」の話をしたときのことでした。 「あ、辻田さん!知り合いですよ」 思いがけないひと言に、びっくり。聞けば、辻田さんと土田さんは、同じ福井で漆に携わる作り手同士。以前からつながりがあったそうです。心惹かれたものの背景に、こんなふうに作り手同士のつながりがあると知ると、なんだか嬉しくなります。ひとつのうつわをきっかけに、また新しいご縁を知ることができたような気がしました。 はじめて出会った若狭塗 そんな話に花を咲かせていると、土田さんが大事そうに包みを開いて、ひとつのお椀を見せてくれました。 それが、若狭塗の「合鹿椀(ごうろくわん)」です。 包みを開いた瞬間、まず目に入ったのは、深い漆の艶と、外側に浮かぶ細かな模様。見る角度によって光の表情が変わり、ひと目見た瞬間に心を奪われました。 若狭塗は、卵の殻や青貝、松葉などを使って模様をつくり、その上から漆を幾重にも塗り重ね、最後に表面を研いで模様を浮かび上がらせる技法。なかでも、最後の「研ぎ出し」が若狭塗の大切な工程なのだそうです。 どこを、どのくらい研ぐのか。塗り重ねられた漆の下にある模様を見極めながら、少しずつ表情を引き出していく。その工程には、職人の経験と技術が詰まっています。 この見事な若狭塗を手がけたのは、福井県小浜市で100年以上続く「加福漆器店」の4代目、加福宗徳さん。小浜市に3人しかいない若狭塗伝統工芸士のお一人です。 ふたつの工房がつないだ一椀 さらに心を惹きつけられたのは、このお椀がふたつの工房の手仕事のリレーから生まれているということでした。 木地づくりから内側と底の漆塗りまでを手がける土直漆器さんと、外側の若狭塗を手がける加福漆器店さん。 内側には、欅(けやき)の木地に漆を塗り重ねる「木地呂塗(きじろぬり)」が施され、漆の艶の奥から美しい木目が浮かび上がります。外側の青貝や松葉が散りばめられた華やかな若狭塗とはまた違う、木そのものの温もりを感じる趣です。 それぞれの工房で受け継がれてきた技術が、ひとつのお椀のなかで見事に重なり合う。内と外で異なる表情を持つからこそ、手に取るたびにじっくりと眺めたくなる。なんとも贅沢な手仕事を見せていただいた気持ちになりました。 最後のひとつをわが家へ このお椀が完成するまでには、なんと2年もの歳月がかかったそうです。そして、つくられたのはわずか10個。 そんな貴重なお椀ですが、今回、土田さんの手元に残っていた最後のひとつを、特別にお譲りいただけることになりました。 土田さんとの久しぶりの再会から、思いがけず若狭塗のお椀に出会い、最後のひとつをわが家に迎えることになるとは。いくつものご縁が重なって手元に迎えることができたことを嬉しく思います。 これほど美しいお椀を、すぐに料理に使うのは少しもったいない気もして。しばらくは、光の加減で変わる青貝のきらめきや、漆の艶、内側に広がる欅の木目を、じっくり眺めていたい。...
Carving a New Concept of Time with Cherished Vessels Even our most treasured vessels can break in a fleeting moment. I, too, once accidentally dropped and broke a favorite piece....
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