Welcoming New Pieces and the Arrival of Autumn
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
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Maker: Mokkou Yamani / Omachi City, Nagano Prefecture
Materials
Body: Japanese pagoda tree (oil finish)
Screw: Brass
Blade: Iron
Size: Approx. Φ60 × H160 mm
Microwave: ×
Dishwasher: ×
Oven: ×
【Precautions for Use】
- Store away from direct sunlight, high temperatures, and high humidity.
- Do not wash with water. If it gets dirty, wipe it with a cloth that has been dampened with water and thoroughly wrung out.
- If the wood surface becomes dry, apply beeswax wax or cooking oil (such as olive oil, linseed oil, or perilla oil) and wipe thoroughly.
- If you will not be using it for an extended period, remove the contents to prevent deterioration of the mill blades and spices.
- The color of the wood may change over time.
- Only black pepper and white pepper can be used.
- Please refrain from using salt or pink peppercorns.
- Use well-dried, oil-free pepper with a grain size of approximately 2-5mm.
- It may not be able to grind certain shapes.
【About the product】
Since this product is handmade from natural materials, there may be individual differences in shape, color, and size.
【Care and maintenance】
If there is a defect or malfunction, the blade can be replaced for a fee.
If you wish to do so, please contact shop@amenoie.jp.
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Mokkou YamaniA wooden spice mill that is beautiful just by existing and effortlessly blends into the scenery of everyday life.
These spice mills are crafted by "Mokkou Yamani," the workshop of Shohei and Mirai Uchiyama, a husband and wife team based in Omachi City, Nagano Prefecture.
Available in two types, "pepper mill" and "salt mill," they offer not only unique forms but also exceptional comfort in hand. They are exquisite pieces that exude a distinct presence.
Shohei and Mirai enrolled in the Woodcraft and Design department of the Agematsu Vocational Technical School in Nagano Prefecture in the same year.
After graduation, Shohei worked on furniture production at a joinery shop, while Mirai gained experience in upholstery workshops, both engaging in wood-related work.
In 2018, Shohei became independent under the name "Mokkou Yamani."
Then, in 2020, Mirai also joined, and their husband-and-wife activities officially began.
Knowing this background, one can deeply understand that these are meticulously crafted works, created by two people who thoroughly understand wood.
Their elaborate, refined and beautiful appearance, almost like an objet d'art, is captivating.
Grinding aromas, weaving shapesShohei started producing pepper mills because he loved black pepper and wanted to create a tool that could grind it more deliciously himself.
The genesis of this passion, it is said, was the black pepper used in the green onion ramen served at a local ramen shop.
Through repeated trial and error, over 170 different shapes were born.
The passion poured into the pepper mill is truly palpable.
The names, such as "eggplant" and "sardine," are inspired by familiar objects, adding a touch of playfulness and charm.
Organic DesignThe form features curves intertwined with linear lines, creating a quiet yet somewhat unrestrained indentation.
This unique shape is said to be created using woodturning techniques, a skill used for furniture such as table and chair legs.
I was surprised to learn that they drew inspiration from various sources, both Western and Eastern, such as the legs of their favorite imported Windsor chairs, zashiki (low) table legs, as well as Buddhist implements and kokeshi dolls.
I personally use two sizes that are easy for home use, and I switch between them depending on the place and occasion.
The larger size shown in the photo is tall and can hold a lot of spices, making it very convenient for daily use in the kitchen.
On the other hand, the smaller size is compact and perfect for enjoying freshly ground spices at the dining table.

The thumbscrew with gold hardware is for the "pepper mill," and silver is for the "salt mill."
The natural wood grain, harmonized with classical gold and silver thumbscrews, subtly adds an accent.
Grind as if cuttingDriven by the desire to use domestic products, they reportedly use blades made by "IKEDA," a company known for manufacturing spice mills highly regarded by professionals in hotels and restaurants.
These Japanese blades are said to grind by "cutting" rather than "crushing" or "mashing," allowing for aromatic grinding and long-lasting sharpness.
The satisfying crunching sound and feel of the grind are also distinctive, making it quite addictive.
Another welcome feature is that they offer paid repair services for the wooden parts and blade replacement in case of malfunction or damage.
It's a joy to be able to cherish it for a long time and see how it becomes more familiar with my life as I use it.
How to UseFirst, remove the thumbscrew and the top part to replenish the spices.
Hold the body with the thumbscrew loosened, and turn the top part clockwise to grind.
You can adjust the grind by tightening or loosening the thumbscrew.
For a coarse grind, loosen the screw; for a fine grind, tighten it slightly.
However, be very careful not to turn the top part with the screw fully tightened, as this could cause damage.
The blissful taste enhanced by pepperPepper is perfect for finishing meat and fish dishes, as well as salads and pasta, and the classic carbonara, in particular, is so good that you'll want to have it again and again.
Pepper carries a natural essence, reminiscent of the warmth of earth or tree bark.
Pepper, acting like a "flavor switch," has completely captivated me, thanks to this experience.
As the mill glides comfortably in hand, the aroma of spices wafts up with each grind of pepper, filling the dining table with exhilaration.
By placing it not only in the kitchen but also on the dining table, it serves as a piece of interior decor that brings the warmth of wood.
Please do try holding a "Mokkou Yamani" spice mill at least once, where the love for pepper and the skill and sensibility unique to handmade craftsmanship shine through.
------------------------------------
Maker: Mokkou Yamani / Omachi City, Nagano Prefecture
Materials
Body: Japanese Pagoda Tree (oil finish)
Screw: Brass
Blade: Iron
Size: approx. Φ60 × H160 mm
Microwave: ×
Dishwasher: ×
Oven: ×
------------------------------------
【About the product】
Because they are handcrafted using natural materials, there may be individual differences in shape, color, and size.
【Precautions for Use】
・Store away from direct sunlight, high temperatures, and high humidity.
・Do not wash with water. If it gets dirty, wipe it with a cloth tightly wrung out with water.
・If the wood surface becomes rough, apply beeswax wax or edible oil (such as olive oil, linseed oil, or perilla oil) and wipe it thoroughly.
・If not used for a long period, remove the contents and store to prevent deterioration of the mill blade and spices.
・The color of the wood may change over time.
・Only black pepper and white pepper can be used.
・Do not use salt or pink pepper.
・Use well-dried, oil-free pepper with a grain size of approximately 2-5 mm.
・It may not grind depending on the shape of the peppercorns.
【Maintenance】
In case of malfunction or damage, blade replacement is available for a fee.
If you wish, please contact shop@amenoie.jp.



Woodworking Yamani Pepper Mill 6 Donburi
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
一年ぶりの再会を漆のお椀でおもてなし 先日、わが家に嬉しいお客さまがいらっしゃいました。福井県・鯖江から足を運んでくださったのは、土直漆器の土田さん。お会いするのは、およそ一年ぶりです。作り手の方と直接お話しできる時間は、私にとって楽しみのひとつ。久しぶりにお会いした土田さんは相変わらず穏やかで、顔を合わせた瞬間から自然と会話が弾みました。 せっかく遠くから来てくださったので、ささやかなおもてなしを。以前、土直漆器さんに作っていただいた「雑煮椀」に、抹茶ゼリーや白玉、あんこを盛り付けてお出ししました。普段はお雑煮や汁ものを盛ることの多いお椀ですが、この日は少し趣を変えて、甘いものを。 漆器って、もっと自由でいい 漆のお椀に甘味を盛っても大丈夫かな、と出す直前まで少し気になっていたのですが、テーブルに並べると、土田さんはとても喜んでくださって。 「福井には、漆器にパフェを盛って出しているカフェもあるんですよ。だから、こういう使い方も全然OKです!」 そう言って笑顔で召し上がる姿に、私もすっかり安心しました。 漆器というと、どうしても「特別な日に使うもの」と少し構えてしまうところがあります。でも、こんなふうに甘いものを盛ってみたり、普段の食卓に取り入れてみたり。作り手の方から「もっと自由に使っていい」と聞くと、漆器との距離が少し近くなったような気がします。 そんな話をしながら、和やかにお茶の時間を過ごしていると、いつの間にか話題は「漆」のことへ。「最近、自分で金継ぎに挑戦してみたんですよ」と、先日のコラムで紹介した「辻田の金継ぎ」の話をしたときのことでした。 「あ、辻田さん!知り合いですよ」 思いがけないひと言に、びっくり。聞けば、辻田さんと土田さんは、同じ福井で漆に携わる作り手同士。以前からつながりがあったそうです。心惹かれたものの背景に、こんなふうに作り手同士のつながりがあると知ると、なんだか嬉しくなります。ひとつのうつわをきっかけに、また新しいご縁を知ることができたような気がしました。 はじめて出会った若狭塗 そんな話に花を咲かせていると、土田さんが大事そうに包みを開いて、ひとつのお椀を見せてくれました。 それが、若狭塗の「合鹿椀(ごうろくわん)」です。 包みを開いた瞬間、まず目に入ったのは、深い漆の艶と、外側に浮かぶ細かな模様。見る角度によって光の表情が変わり、ひと目見た瞬間に心を奪われました。 若狭塗は、卵の殻や青貝、松葉などを使って模様をつくり、その上から漆を幾重にも塗り重ね、最後に表面を研いで模様を浮かび上がらせる技法。なかでも、最後の「研ぎ出し」が若狭塗の大切な工程なのだそうです。 どこを、どのくらい研ぐのか。塗り重ねられた漆の下にある模様を見極めながら、少しずつ表情を引き出していく。その工程には、職人の経験と技術が詰まっています。 この見事な若狭塗を手がけたのは、福井県小浜市で100年以上続く「加福漆器店」の4代目、加福宗徳さん。小浜市に3人しかいない若狭塗伝統工芸士のお一人です。 ふたつの工房がつないだ一椀 さらに心を惹きつけられたのは、このお椀がふたつの工房の手仕事のリレーから生まれているということでした。 木地づくりから内側と底の漆塗りまでを手がける土直漆器さんと、外側の若狭塗を手がける加福漆器店さん。 内側には、欅(けやき)の木地に漆を塗り重ねる「木地呂塗(きじろぬり)」が施され、漆の艶の奥から美しい木目が浮かび上がります。外側の青貝や松葉が散りばめられた華やかな若狭塗とはまた違う、木そのものの温もりを感じる趣です。 それぞれの工房で受け継がれてきた技術が、ひとつのお椀のなかで見事に重なり合う。内と外で異なる表情を持つからこそ、手に取るたびにじっくりと眺めたくなる。なんとも贅沢な手仕事を見せていただいた気持ちになりました。 最後のひとつをわが家へ このお椀が完成するまでには、なんと2年もの歳月がかかったそうです。そして、つくられたのはわずか10個。 そんな貴重なお椀ですが、今回、土田さんの手元に残っていた最後のひとつを、特別にお譲りいただけることになりました。 土田さんとの久しぶりの再会から、思いがけず若狭塗のお椀に出会い、最後のひとつをわが家に迎えることになるとは。いくつものご縁が重なって手元に迎えることができたことを嬉しく思います。 これほど美しいお椀を、すぐに料理に使うのは少しもったいない気もして。しばらくは、光の加減で変わる青貝のきらめきや、漆の艶、内側に広がる欅の木目を、じっくり眺めていたい。...
Carving a New Concept of Time with Cherished Vessels Even our most treasured vessels can break in a fleeting moment. I, too, once accidentally dropped and broke a favorite piece....
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