Welcoming New Pieces and the Arrival of Autumn
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
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Maker: Mokkou Yamani / Omachi City, Nagano Prefecture
Materials
Body: Lauan (oil finish)
Screw: Brass
Blade: Iron
Size: Approx. Φ55 × H160 mm
Microwave: ×
Dishwasher: ×
Oven: ×
【Precautions for Use】
- Store away from direct sunlight, high temperatures, and high humidity.
- Do not wash with water. If it gets dirty, wipe it with a cloth that has been dampened with water and thoroughly wrung out.
- If the wood surface becomes dry, apply beeswax wax or cooking oil (such as olive oil, linseed oil, or perilla oil) and wipe thoroughly.
- If you will not be using it for an extended period, remove the contents to prevent deterioration of the mill blades and spices.
- The color of the wood may change over time.
- Only black pepper and white pepper can be used.
- Please refrain from using salt or pink peppercorns.
- Use well-dried, oil-free pepper with a grain size of approximately 2-5mm.
- It may not be able to grind certain shapes.
【About the product】
Since this product is handmade from natural materials, there may be individual differences in shape, color, and size.
【Care and maintenance】
If there is a defect or malfunction, the blade can be replaced for a fee.
If you wish to do so, please contact shop@amenoie.jp.
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Mokkou YamaniThese wooden spice mills are beautiful simply by existing, blending effortlessly into any living space.
These spice mills are crafted by "Mokkou Yamani," a workshop run by Shohei and Mirai Uchiyama, a husband and wife team based in Omachi City, Nagano Prefecture.
Available in two types, "pepper mill" and "salt mill," they boast not only unique forms but also exceptional tactile comfort. They are truly exquisite pieces that stand out.
Shohei and Mirai enrolled in the woodworking and molding department of Kamimatsu Technical School in Nagano Prefecture in the same year.
After graduation, Shohei worked on furniture production at a joinery shop, while Mirai gained experience at an upholstery workshop, both pursuing careers related to wood.
In 2018, Shohei became independent under the name "Mokkou Yamani."
In 2020, Mirai joined him, and their joint work as a couple officially began.
Knowing this background, it becomes clear why their creations are so meticulously detailed, a testament to their deep understanding of wood.
Their elegant beauty, reminiscent of finely crafted objects, is captivating.
Grinding Fragrance, Weaving FormsShohei began making pepper mills because he loved black pepper and wanted to create a tool that could grind it more deliciously himself.
Apparently, it all started with the black pepper used in the green onion ramen served at a local ramen shop.
Through trial and error, he created over 170 different shapes.
The passion poured into these pepper mills is palpable.
The names, such as "eggplant" and "sardine," are derived from familiar objects, adding a touch of playfulness and charm.
Organic DesignThe forms are created with an interplay of curves and linear lines, resulting in quiet yet somehow uninhibited indentations.
These distinctive shapes are produced using woodturning, a technique employed for furniture components such as table and chair legs.
I was surprised to learn that they draw inspiration from the designs of their predecessors, both Western and Eastern, including the legs of imported Windsor chairs they admired, legs of low tables, and even Buddhist ritual objects and kokeshi dolls.
I personally use two convenient sizes at home, switching between them depending on the location and occasion.
The larger type in the photo is tall and can hold a generous amount of spices, making it very convenient for daily kitchen use.
On the other hand, the smaller type is compact and perfect for enjoying freshly ground spices at the dining table.

The gold knob is for the "pepper mill," and the silver is for the "salt mill."
The natural wood grain and the harmonizing classical gold and silver knobs add a subtle accent.
Grinding as if CuttingThey use blades made by "IKEDA," a manufacturer of spice mills highly regarded by professionals in hotels and restaurants, out of a desire to use domestic products.
These Japanese blades are said to grind by "cutting" rather than "crushing" or "mashing," which results in a more fragrant grind and longer-lasting sharpness.
The satisfying crunching sound and feel are also a characteristic, almost addictive, feature.
Another great point is that they offer paid repair services for wooden parts and blade replacement in case of malfunction or damage.
I look forward to using it for a long time and watching it become an integral part of my life as I use it.
How to UseFirst, remove the knob and the top part to replenish the spices.
With the knob loosened, grasp the body and turn the top clockwise to grind.
You can adjust the coarseness of the grind by tightening or loosening the knob.
Loosen the knob for a coarse grind and tighten it for a fine grind.
However, be very careful not to turn the top with the knob fully tightened, as this may cause damage.
Pepper Enhances a Blissful FlavorPepper is perfect for finishing meat and fish dishes, as well as salads and pasta. Classic carbonara, in particular, pairs so well with it that you'll want to make it again and again.
Pepper has a natural aroma, reminiscent of the warmth of earth or tree bark.
Pepper acts as a "flavor switch," and I've become completely hooked on it through this experience.
As the mill glides comfortably in my hand, the aroma of spices wafts up with each grind of pepper, filling the dining table with exhilaration.
By placing it not only in the kitchen but also on the dining table, it serves as an interior accent that brings the warmth of wood.
I encourage everyone to try a "Mokkou Yamani" spice mill, which shines with a love for pepper and the skill and sensibility unique to handcrafted items.
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Maker: Mokkou Yamani / Omachi City, Nagano Prefecture
Material
Body: Lauan (oil finish)
Screw: Brass
Blade: Iron
Size: Approximately Φ55 × H160 mm
Microwave: ×
Dishwasher: ×
Oven: ×
------------------------------------
[About the product]
As these are handmade from natural materials, there may be individual differences in shape, color, and size.
[Precautions for use]
・Store away from direct sunlight, high temperatures, and high humidity.
・Do not wash with water. If it gets dirty, wipe it with a cloth thoroughly wrung out in water.
・If the wood surface becomes dry, apply beeswax wax or edible oil (olive oil, linseed oil, perilla oil, etc.) and wipe it off thoroughly.
・If not used for a long time, remove the contents and store to prevent deterioration of the mill blades and spices.
・The color of the wood may change over time.
・Only black pepper and white pepper can be used.
・Avoid using salt or pink pepper.
・Use well-dried, oil-free pepper with a grain size of approximately 2-5mm.
・It may not be possible to grind some shapes.
[Care Instructions]
In case of malfunction or damage, blade replacement is available for a fee.
If you wish, please contact shop@amenoie.jp.



Woodworking Yamani Pepper Mill 6 Dogu
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
一年ぶりの再会を漆のお椀でおもてなし 先日、わが家に嬉しいお客さまがいらっしゃいました。福井県・鯖江から足を運んでくださったのは、土直漆器の土田さん。お会いするのは、およそ一年ぶりです。作り手の方と直接お話しできる時間は、私にとって楽しみのひとつ。久しぶりにお会いした土田さんは相変わらず穏やかで、顔を合わせた瞬間から自然と会話が弾みました。 せっかく遠くから来てくださったので、ささやかなおもてなしを。以前、土直漆器さんに作っていただいた「雑煮椀」に、抹茶ゼリーや白玉、あんこを盛り付けてお出ししました。普段はお雑煮や汁ものを盛ることの多いお椀ですが、この日は少し趣を変えて、甘いものを。 漆器って、もっと自由でいい 漆のお椀に甘味を盛っても大丈夫かな、と出す直前まで少し気になっていたのですが、テーブルに並べると、土田さんはとても喜んでくださって。 「福井には、漆器にパフェを盛って出しているカフェもあるんですよ。だから、こういう使い方も全然OKです!」 そう言って笑顔で召し上がる姿に、私もすっかり安心しました。 漆器というと、どうしても「特別な日に使うもの」と少し構えてしまうところがあります。でも、こんなふうに甘いものを盛ってみたり、普段の食卓に取り入れてみたり。作り手の方から「もっと自由に使っていい」と聞くと、漆器との距離が少し近くなったような気がします。 そんな話をしながら、和やかにお茶の時間を過ごしていると、いつの間にか話題は「漆」のことへ。「最近、自分で金継ぎに挑戦してみたんですよ」と、先日のコラムで紹介した「辻田の金継ぎ」の話をしたときのことでした。 「あ、辻田さん!知り合いですよ」 思いがけないひと言に、びっくり。聞けば、辻田さんと土田さんは、同じ福井で漆に携わる作り手同士。以前からつながりがあったそうです。心惹かれたものの背景に、こんなふうに作り手同士のつながりがあると知ると、なんだか嬉しくなります。ひとつのうつわをきっかけに、また新しいご縁を知ることができたような気がしました。 はじめて出会った若狭塗 そんな話に花を咲かせていると、土田さんが大事そうに包みを開いて、ひとつのお椀を見せてくれました。 それが、若狭塗の「合鹿椀(ごうろくわん)」です。 包みを開いた瞬間、まず目に入ったのは、深い漆の艶と、外側に浮かぶ細かな模様。見る角度によって光の表情が変わり、ひと目見た瞬間に心を奪われました。 若狭塗は、卵の殻や青貝、松葉などを使って模様をつくり、その上から漆を幾重にも塗り重ね、最後に表面を研いで模様を浮かび上がらせる技法。なかでも、最後の「研ぎ出し」が若狭塗の大切な工程なのだそうです。 どこを、どのくらい研ぐのか。塗り重ねられた漆の下にある模様を見極めながら、少しずつ表情を引き出していく。その工程には、職人の経験と技術が詰まっています。 この見事な若狭塗を手がけたのは、福井県小浜市で100年以上続く「加福漆器店」の4代目、加福宗徳さん。小浜市に3人しかいない若狭塗伝統工芸士のお一人です。 ふたつの工房がつないだ一椀 さらに心を惹きつけられたのは、このお椀がふたつの工房の手仕事のリレーから生まれているということでした。 木地づくりから内側と底の漆塗りまでを手がける土直漆器さんと、外側の若狭塗を手がける加福漆器店さん。 内側には、欅(けやき)の木地に漆を塗り重ねる「木地呂塗(きじろぬり)」が施され、漆の艶の奥から美しい木目が浮かび上がります。外側の青貝や松葉が散りばめられた華やかな若狭塗とはまた違う、木そのものの温もりを感じる趣です。 それぞれの工房で受け継がれてきた技術が、ひとつのお椀のなかで見事に重なり合う。内と外で異なる表情を持つからこそ、手に取るたびにじっくりと眺めたくなる。なんとも贅沢な手仕事を見せていただいた気持ちになりました。 最後のひとつをわが家へ このお椀が完成するまでには、なんと2年もの歳月がかかったそうです。そして、つくられたのはわずか10個。 そんな貴重なお椀ですが、今回、土田さんの手元に残っていた最後のひとつを、特別にお譲りいただけることになりました。 土田さんとの久しぶりの再会から、思いがけず若狭塗のお椀に出会い、最後のひとつをわが家に迎えることになるとは。いくつものご縁が重なって手元に迎えることができたことを嬉しく思います。 これほど美しいお椀を、すぐに料理に使うのは少しもったいない気もして。しばらくは、光の加減で変わる青貝のきらめきや、漆の艶、内側に広がる欅の木目を、じっくり眺めていたい。...
Carving a New Concept of Time with Cherished Vessels Even our most treasured vessels can break in a fleeting moment. I, too, once accidentally dropped and broke a favorite piece....
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