Welcoming New Pieces and the Arrival of Autumn
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
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Craftsperson: Mokkou Yamani / Omachi City, Nagano Prefecture
Materials
Body: Oak (iron-roasted) (oil finish)
Screw: Brass
Blade: Iron
Size: Approx. Φ70 × H130 mm
Microwave: ×
Dishwasher: ×
Oven: ×
【Precautions for Use】
* Store away from direct sunlight, high temperatures, and high humidity.
* Do not wash with water. If it gets dirty, wipe it with a cloth that has been dampened with water and thoroughly wrung out.
* If the wood surface becomes rough, apply beeswax wax or cooking oil (such as olive oil, linseed oil, or perilla oil) and wipe thoroughly.
* If not used for an extended period, remove the contents to prevent deterioration of the mill blades and spices.
* The color of the wood may change over time due to aging.
* Only black pepper and white pepper can be used.
* Please refrain from using salt or pink pepper.
* Use well-dried, oil-free pepper with a grain size of approximately 2-5mm.
* Depending on the shape, it may not be possible to grind.
【About the product】
Since this product is handmade from natural materials, there may be individual differences in shape, color, and size.
【Care and maintenance】
If there is a defect or malfunction, the blade can be replaced for a fee.
If you wish to do so, please contact shop@amenoie.jp.
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Mokkou YamaniA wooden spice mill that is beautiful just by being there, seamlessly blending into your daily life.
These spice mills are crafted by "Mokkou Yamani," a workshop run by husband and wife Shohei and Mirai Uchiyama, based in Omachi City, Nagano Prefecture.
There are two types: "pepper mills" and "salt mills," and in addition to their unique forms, they offer an exceptional feel in the hand. They are truly exquisite pieces that stand out.
Shohei and Mirai both enrolled in the Woodcraft Course at the Agematsu Technical College in Nagano Prefecture in the same year.
After graduating, Shohei worked in furniture making at a joinery shop, while Mirai gained experience at chair upholstery workshops, both engaging in wood-related work.
In 2018, Shohei became independent under the name "Mokkou Yamani."
Then, from 2020, Mirai joined, and their collaborative work as a couple officially began.
Knowing this background, one can deeply appreciate that these are works meticulously crafted by two individuals who thoroughly understand wood.
Their precise, elegant beauty, like an objet d'art, is so captivating that you can't help but gaze at them.
Grinding Fragrance, Weaving FormsShohei began making pepper mills because he loved black pepper and wanted to create a tool that could grind it more deliciously himself.
His inspiration, he says, was the black pepper used in the green onion ramen served at a local ramen shop.
Through repeated trial and error, he apparently created over 170 different shapes.
The passion poured into these pepper mills is palpable.
Their names, such as "eggplant" and "sardine," are derived from familiar objects, adding a playful and charming touch.
Organic DesignThe form features a quiet yet somehow unrestrained indentation, where curves and straight lines intertwine.
Such unique shapes are created using woodworking lathe technology, typically employed for furniture components like table and chair legs.
I was surprised to learn that they draw inspiration from the designs of predecessors, both Western and Eastern, including the legs of Windsor chairs from abroad that they admired, legs of low tables, Buddhist altarpieces, and kokeshi dolls.
I personally use two convenient sizes for home use, choosing between them depending on the place and occasion.
The larger type shown in the photo is tall and can hold plenty of spices, making it very convenient for daily use in the kitchen.
On the other hand, the smaller type is compact and perfect for enjoying freshly ground spices at the dining table.

The adjusting screw with gold hardware is for the "pepper mill," and silver is for the "salt mill."
The natural wood grain and the harmonizing classical gold and silver adjusting screws subtly add an accent.
Grinding as if cuttingTo use Japanese-made products, they use blades from "IKEDA," a manufacturer of spice mills that are highly regarded by professionals in hotels and restaurants.
These Japanese blades, they say, can grind "as if cutting" rather than "crushing" or "mashing," allowing for a more aromatic grind and longer-lasting sharpness.
The pleasant grinding sensation, "jari-jari," is also a distinctive feature that might become addictive.
Another welcome point is that if a defect or malfunction occurs, they offer paid repairs for the wooden parts and replacement of the blades.
It's something to cherish for a long time, and I look forward to it becoming more integrated into my life with continued use.
How to UseFirst, remove the adjusting screw and the top part to refill the spices.
Hold the body with the adjusting screw loosened, and turn the top part clockwise to grind.
You can adjust the coarseness of the grind by tightening or loosening the adjusting screw.
For a coarser grind, loosen the screw; for a finer grind, tighten it slightly.
However, be very careful not to turn the top part when the screw is fully tightened, as this may cause a malfunction.
Elevated by Pepper, a Blissful TastePepper is perfect for finishing meat and fish dishes, as well as salads and pasta, and the classic carbonara, in particular, is so well-suited that you'll want to repeat it again and again.
Pepper carries a natural essence, reminiscent of the warmth of earth and tree bark.
I find myself completely hooked on pepper, which acts like a "flavor switch."
With the pleasant, smooth feel of the mill in hand, a fragrant burst of spice rises with each grind of pepper, filling the dining table with excitement.
Placed not just in the kitchen but also on the dining table, it functions as an interior piece, bringing the warmth of wood into the space.
Please try holding a "Mokkou Yamani" spice mill, which shines with a love for pepper and the skill and sensibility unique to handcrafted items.
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Maker: Mokkou Yamani / Omachi City, Nagano Prefecture
Materials
Body: Oak (iron roasted) (oil finish)
Screw: Brass
Blade: Iron
Size: Approximately Φ70 × H130 mm
Microwave: ×
Dishwasher: ×
Oven: ×
------------------------------------
【About the product】
As these products are handmade from natural materials, there may be individual differences in shape, color, and size.
【Precautions for use】
・Store away from direct sunlight, high temperatures, and high humidity.
・Do not wash with water. If it gets dirty, wipe it with a cloth wrung out after being moistened with water.
・If the wood surface feels dry, apply beeswax wax or edible oil (such as olive oil, linseed oil, or perilla oil) and wipe thoroughly.
・If not used for a long period, remove the contents to prevent deterioration of the mill blade and spices.
・The color of the wood may change over time due to aging.
・Only black pepper and white pepper can be used.
・Avoid using salt or pink pepper.
・Use well-dried, oil-free pepper with a grain size of approximately 2-5 mm.
・Some shapes may not be able to be ground.
【About maintenance】
If a defect or malfunction occurs, blade replacement is available for a fee.
If you wish for this service, please contact shop@amenoie.jp.



Mokko Yamani Pepper Mill 4 Seattle Tower
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
一年ぶりの再会を漆のお椀でおもてなし 先日、わが家に嬉しいお客さまがいらっしゃいました。福井県・鯖江から足を運んでくださったのは、土直漆器の土田さん。お会いするのは、およそ一年ぶりです。作り手の方と直接お話しできる時間は、私にとって楽しみのひとつ。久しぶりにお会いした土田さんは相変わらず穏やかで、顔を合わせた瞬間から自然と会話が弾みました。 せっかく遠くから来てくださったので、ささやかなおもてなしを。以前、土直漆器さんに作っていただいた「雑煮椀」に、抹茶ゼリーや白玉、あんこを盛り付けてお出ししました。普段はお雑煮や汁ものを盛ることの多いお椀ですが、この日は少し趣を変えて、甘いものを。 漆器って、もっと自由でいい 漆のお椀に甘味を盛っても大丈夫かな、と出す直前まで少し気になっていたのですが、テーブルに並べると、土田さんはとても喜んでくださって。 「福井には、漆器にパフェを盛って出しているカフェもあるんですよ。だから、こういう使い方も全然OKです!」 そう言って笑顔で召し上がる姿に、私もすっかり安心しました。 漆器というと、どうしても「特別な日に使うもの」と少し構えてしまうところがあります。でも、こんなふうに甘いものを盛ってみたり、普段の食卓に取り入れてみたり。作り手の方から「もっと自由に使っていい」と聞くと、漆器との距離が少し近くなったような気がします。 そんな話をしながら、和やかにお茶の時間を過ごしていると、いつの間にか話題は「漆」のことへ。「最近、自分で金継ぎに挑戦してみたんですよ」と、先日のコラムで紹介した「辻田の金継ぎ」の話をしたときのことでした。 「あ、辻田さん!知り合いですよ」 思いがけないひと言に、びっくり。聞けば、辻田さんと土田さんは、同じ福井で漆に携わる作り手同士。以前からつながりがあったそうです。心惹かれたものの背景に、こんなふうに作り手同士のつながりがあると知ると、なんだか嬉しくなります。ひとつのうつわをきっかけに、また新しいご縁を知ることができたような気がしました。 はじめて出会った若狭塗 そんな話に花を咲かせていると、土田さんが大事そうに包みを開いて、ひとつのお椀を見せてくれました。 それが、若狭塗の「合鹿椀(ごうろくわん)」です。 包みを開いた瞬間、まず目に入ったのは、深い漆の艶と、外側に浮かぶ細かな模様。見る角度によって光の表情が変わり、ひと目見た瞬間に心を奪われました。 若狭塗は、卵の殻や青貝、松葉などを使って模様をつくり、その上から漆を幾重にも塗り重ね、最後に表面を研いで模様を浮かび上がらせる技法。なかでも、最後の「研ぎ出し」が若狭塗の大切な工程なのだそうです。 どこを、どのくらい研ぐのか。塗り重ねられた漆の下にある模様を見極めながら、少しずつ表情を引き出していく。その工程には、職人の経験と技術が詰まっています。 この見事な若狭塗を手がけたのは、福井県小浜市で100年以上続く「加福漆器店」の4代目、加福宗徳さん。小浜市に3人しかいない若狭塗伝統工芸士のお一人です。 ふたつの工房がつないだ一椀 さらに心を惹きつけられたのは、このお椀がふたつの工房の手仕事のリレーから生まれているということでした。 木地づくりから内側と底の漆塗りまでを手がける土直漆器さんと、外側の若狭塗を手がける加福漆器店さん。 内側には、欅(けやき)の木地に漆を塗り重ねる「木地呂塗(きじろぬり)」が施され、漆の艶の奥から美しい木目が浮かび上がります。外側の青貝や松葉が散りばめられた華やかな若狭塗とはまた違う、木そのものの温もりを感じる趣です。 それぞれの工房で受け継がれてきた技術が、ひとつのお椀のなかで見事に重なり合う。内と外で異なる表情を持つからこそ、手に取るたびにじっくりと眺めたくなる。なんとも贅沢な手仕事を見せていただいた気持ちになりました。 最後のひとつをわが家へ このお椀が完成するまでには、なんと2年もの歳月がかかったそうです。そして、つくられたのはわずか10個。 そんな貴重なお椀ですが、今回、土田さんの手元に残っていた最後のひとつを、特別にお譲りいただけることになりました。 土田さんとの久しぶりの再会から、思いがけず若狭塗のお椀に出会い、最後のひとつをわが家に迎えることになるとは。いくつものご縁が重なって手元に迎えることができたことを嬉しく思います。 これほど美しいお椀を、すぐに料理に使うのは少しもったいない気もして。しばらくは、光の加減で変わる青貝のきらめきや、漆の艶、内側に広がる欅の木目を、じっくり眺めていたい。...
Carving a New Concept of Time with Cherished Vessels Even our most treasured vessels can break in a fleeting moment. I, too, once accidentally dropped and broke a favorite piece....
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