Welcoming New Pieces and the Arrival of Autumn
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
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Manufacturer: HAL Musui / Hiroshima City, Hiroshima Prefecture
Materials
Material: Aluminum alloy
Interior: Hairline finish
Exterior: Mirror finish
Bottom exterior of main body: Special magnetic film processing + heat-resistant coating
Dimensions
Main body: Approx. W254 (including handle) x D198 x H70mm
Lid: Approx. W254 (including handle) x D198 x H30mm
Inner diameter: Approx. 180mm
Full capacity: Main body 1.8L, lid 0.8L
Rice: Up to 2.5 gou
Microwave: ✕
Oven: △ (up to 280°C)
Dishwasher: ✕
IH: 〇 (Lid ✕)
Direct flame: 〇
*Lid is for direct flame only
【Before First Use】
Thoroughly wash the pot and lid. Fill the pot with water and rice water or vegetable scraps, then boil for about 10 minutes. This creates an oxide film, which prevents the black discoloration characteristic of aluminum pots.
【Care After Use】
・Once the pot has cooled enough to handle, wash it with a sponge and neutral detergent, then rinse thoroughly.
・Do not cool the pot rapidly by immersing it in water immediately after cooking, or leave it submerged in water. Rapid cooling can cause damage or deformation of the pot.
・After washing, wipe off all moisture thoroughly and allow it to dry completely before storing in a low-humidity area. Inadequate drying or prolonged exposure to moisture can cause discoloration.
・If food is burnt onto the pot, gently warm the pot to loosen the burnt residue, then scrub it off with a metal scouring pad and cleanser. Afterward, wash with a sponge and neutral detergent. Please refrain from using baking soda.
・Do not heat the thermal spray coated surface (the black part of the pot bottom) when it is wet, and do not use it if spills or other debris are stuck to it.
・For other precautions, please read the instruction manual carefully and use the product safely.
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A versatile waterless pot that performs 8 functionsThis waterless pot, manufactured by Hiroshima Aluminum Industry Co., Ltd., was developed in 1953 for cooking rice and has been reissued to be compatible with induction cooktops to suit modern lifestyles.
It comes in three sizes: 18cm, 20cm, and 24cm inner diameter.
I use the 20cm one, which can cook up to 4 cups of rice and is a sufficient size for two people.
It was created with the desire to "cook delicious rice like in a traditional rice pot, even on gas or induction cooktops," and "to enjoy dishes with the rich flavor of ingredients brought out through waterless cooking, and to live a healthy life."
The meticulous craftsmanship of the artisans at Hiroshima Aluminum Industry, which boasts reliable technical capabilities in manufacturing parts for famous automobile manufacturers in Japan and around the world, is truly felt when closing the lid.
Moreover, this single pot is an excellent tool that performs eight functions: "cooking, steaming, simmering, boiling, baking, stir-frying, deep-frying, and oven-cooking."
Its lightweight, durable, and simple design is also appealing, and getting a new tool always lifts my spirits.
Furthermore, the waterless pot is made of aluminum, which conducts heat quickly, and its thick cast iron construction provides excellent heat retention, allowing for cooking using residual heat.
By effectively utilizing residual heat, it also helps save gas and electricity, and it is expected to be very useful in the future.
KING Waterless Pot 18 / KING Waterless Pot 20 / KING Waterless Pot 24
First useFirst, wash thoroughly with a sponge and neutral detergent, paying particular attention to the grooves on the inside with a firmer sponge.
Then, to prevent discoloration, fill both the pot and lid with rice water and boil for about 10 minutes.

First, preheat the pot over medium-low heat for about 2 minutes to prevent food from sticking.
When you sprinkle water on the pot and it forms beads that roll around, it's the right temperature to add ingredients.
I referenced the Nikujaga recipe published on the "HAL Musui" website, which updates new recipes monthly.
I was surprised by how easy it was—just add the ingredients and leave it—and most of all, how quickly it cooked to a tender texture with the flavors thoroughly absorbed.
The circulating steam inside the pot gently cooks the ingredients, allowing you to fully enjoy their natural flavors without losing the water-soluble umami, which is a unique charm of a waterless pot.
Tako-meshi (octopus rice) cooked in a waterless pot with roots in traditional rice potsCooked rice dishes are also easy in a waterless pot.
Simply turn on medium-high heat until the lid rattles, signaling it's boiling, then immediately reduce to low heat. It's an easy dish to try.
The perfectly fitting structure of the pot and lid creates natural pressure even over low heat, ensuring even cooking and maintaining a high temperature without losing heat.
As expected from a pot developed for cooking rice, your usual rice becomes even fluffier and chewier.
When you open the lid, the rice grains stand up beautifully, stimulating your appetite.

The lid of the waterless pot can also be used as a frying pan.
This time, I tried using the pot itself as a lid, and the vegetables were appropriately steamed without burning, resulting in a perfectly grilled, soft, and juicy finish.
This single pot handles various cooking tasks, and its minimalist design, combined with easy post-use cleaning, was a great help.

It allows for speedy cooking on busy days, so it could be useful on hectic mornings.
I used to think that the more effort you put into cooking, the tastier it would be, but simply by being inventive with the tools you use, you can dramatically change the outcome of your dishes.





HAL Musui KING Waterless Pot 18
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
一年ぶりの再会を漆のお椀でおもてなし 先日、わが家に嬉しいお客さまがいらっしゃいました。福井県・鯖江から足を運んでくださったのは、土直漆器の土田さん。お会いするのは、およそ一年ぶりです。作り手の方と直接お話しできる時間は、私にとって楽しみのひとつ。久しぶりにお会いした土田さんは相変わらず穏やかで、顔を合わせた瞬間から自然と会話が弾みました。 せっかく遠くから来てくださったので、ささやかなおもてなしを。以前、土直漆器さんに作っていただいた「雑煮椀」に、抹茶ゼリーや白玉、あんこを盛り付けてお出ししました。普段はお雑煮や汁ものを盛ることの多いお椀ですが、この日は少し趣を変えて、甘いものを。 漆器って、もっと自由でいい 漆のお椀に甘味を盛っても大丈夫かな、と出す直前まで少し気になっていたのですが、テーブルに並べると、土田さんはとても喜んでくださって。 「福井には、漆器にパフェを盛って出しているカフェもあるんですよ。だから、こういう使い方も全然OKです!」 そう言って笑顔で召し上がる姿に、私もすっかり安心しました。 漆器というと、どうしても「特別な日に使うもの」と少し構えてしまうところがあります。でも、こんなふうに甘いものを盛ってみたり、普段の食卓に取り入れてみたり。作り手の方から「もっと自由に使っていい」と聞くと、漆器との距離が少し近くなったような気がします。 そんな話をしながら、和やかにお茶の時間を過ごしていると、いつの間にか話題は「漆」のことへ。「最近、自分で金継ぎに挑戦してみたんですよ」と、先日のコラムで紹介した「辻田の金継ぎ」の話をしたときのことでした。 「あ、辻田さん!知り合いですよ」 思いがけないひと言に、びっくり。聞けば、辻田さんと土田さんは、同じ福井で漆に携わる作り手同士。以前からつながりがあったそうです。心惹かれたものの背景に、こんなふうに作り手同士のつながりがあると知ると、なんだか嬉しくなります。ひとつのうつわをきっかけに、また新しいご縁を知ることができたような気がしました。 はじめて出会った若狭塗 そんな話に花を咲かせていると、土田さんが大事そうに包みを開いて、ひとつのお椀を見せてくれました。 それが、若狭塗の「合鹿椀(ごうろくわん)」です。 包みを開いた瞬間、まず目に入ったのは、深い漆の艶と、外側に浮かぶ細かな模様。見る角度によって光の表情が変わり、ひと目見た瞬間に心を奪われました。 若狭塗は、卵の殻や青貝、松葉などを使って模様をつくり、その上から漆を幾重にも塗り重ね、最後に表面を研いで模様を浮かび上がらせる技法。なかでも、最後の「研ぎ出し」が若狭塗の大切な工程なのだそうです。 どこを、どのくらい研ぐのか。塗り重ねられた漆の下にある模様を見極めながら、少しずつ表情を引き出していく。その工程には、職人の経験と技術が詰まっています。 この見事な若狭塗を手がけたのは、福井県小浜市で100年以上続く「加福漆器店」の4代目、加福宗徳さん。小浜市に3人しかいない若狭塗伝統工芸士のお一人です。 ふたつの工房がつないだ一椀 さらに心を惹きつけられたのは、このお椀がふたつの工房の手仕事のリレーから生まれているということでした。 木地づくりから内側と底の漆塗りまでを手がける土直漆器さんと、外側の若狭塗を手がける加福漆器店さん。 内側には、欅(けやき)の木地に漆を塗り重ねる「木地呂塗(きじろぬり)」が施され、漆の艶の奥から美しい木目が浮かび上がります。外側の青貝や松葉が散りばめられた華やかな若狭塗とはまた違う、木そのものの温もりを感じる趣です。 それぞれの工房で受け継がれてきた技術が、ひとつのお椀のなかで見事に重なり合う。内と外で異なる表情を持つからこそ、手に取るたびにじっくりと眺めたくなる。なんとも贅沢な手仕事を見せていただいた気持ちになりました。 最後のひとつをわが家へ このお椀が完成するまでには、なんと2年もの歳月がかかったそうです。そして、つくられたのはわずか10個。 そんな貴重なお椀ですが、今回、土田さんの手元に残っていた最後のひとつを、特別にお譲りいただけることになりました。 土田さんとの久しぶりの再会から、思いがけず若狭塗のお椀に出会い、最後のひとつをわが家に迎えることになるとは。いくつものご縁が重なって手元に迎えることができたことを嬉しく思います。 これほど美しいお椀を、すぐに料理に使うのは少しもったいない気もして。しばらくは、光の加減で変わる青貝のきらめきや、漆の艶、内側に広がる欅の木目を、じっくり眺めていたい。...
Carving a New Concept of Time with Cherished Vessels Even our most treasured vessels can break in a fleeting moment. I, too, once accidentally dropped and broke a favorite piece....
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