Welcoming New Pieces and the Arrival of Autumn
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
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Maker: 3RD CERAMICS / Tajimi City, Gifu Prefecture
[Materials]
Shade: Ceramic
Socket: Brass
[Size]
Shade: Approx. φ220 x H180 mm
[Bulb]
E17 base / Max 40W / LED bulbs can be used
*Bulb is not included.
This product has acquired the domestic Electrical Appliances and Materials Safety Act (PSE) certification, so you can use it with peace of mind.
Since each piece is carefully shaped on a potter's wheel, there may be individual differences in shape and how light passes through.
We hope you enjoy this unique characteristic of the light.
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Normally, your selected items will be shipped within 1 to 2 business days (excluding weekends and holidays).
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Emitting Light and Embracing LightEven after dusk when the lights were turned on, there were times when it felt somehow "just bright."
In the quietness of the night, I wanted a little more gentle warmth.
That's when I encountered 3RD CERAMICS' "time" pendant lamps.
The light that shines through the translucent porcelain shade, as its name suggests, gently illuminates the flow of time and creates a quiet rhythm in the space.
The thinly applied clear glaze on the smooth porcelain texture gives off a subtle luster, softly reflecting the light. It's a "not-too-white white" that feels sleek yet somehow warm.
For our home, we welcomed two "time" lamps: one shaped like a trumpet, emitting light, and one shaped like a teardrop, embracing light.
Trumpet - Gently Emitting LightIn the dining room, we have the trumpet-shaped "time."
Its gently widening curve downwards is beautiful, bringing a soft brightness to the dining table.
When I switched it on while it was still bright outside, the light passed smoothly through the porcelain, and an orange glow gradually suffused the entire shade.
I didn't expect it to be so translucent, and it took my breath away.
Soft and warm. These words perfectly describe this light.
It's made using a highly translucent porcelain clay called "new born," and the light born through the clay gently envelops the space as if carrying the warmth of human hands.
The marks of the potter's wheel emerge in the light, and it feels as if the time spent working with the clay is quietly etched into each and every line.
As evening passes, the orange color deepens, and the light's gradations become more prominent.
The light falls directly onto the dining table, providing just the right brightness for reading or eating.
I accidentally got a little dirt on it during installation, but it immediately returned to its original white with a light wipe of a cloth.
Apparently, a very thin clear glaze is applied with the wish that it "be used in white forever."
Because it's a place used daily, ease of maintenance is a welcome feature.
It's a light that can be used with peace of mind at the dining table.
Teardrop - Gently Enclosing LightIn the living room, we have the teardrop-shaped "time."
I was drawn to its soft curves, as if capturing the moment a single drop of water falls.
Its form, which somehow evokes the rhythm of nature, makes it look like an object even when not lit.
Even on busy days, just looking at it can help you relax.
It seems likely to become a presence that creates small moments of calm in everyday life.

When I switch it on during a cloudy afternoon, the light slowly fills the inside of the lamp, and a gradation of orange emerges.
If the trumpet's light illuminates the entire space, the teardrop's light embraces the light, revealing its depth.
As it encloses the light, the lines of the potter's wheel become even more distinct, and their shadows create the expression of the light itself. Gazing at the teardrop's orange, time seems to gently unwind, and I feel my mind becoming calm and well-ordered.
Light that Changes with TimeWhite in the morning, orange at night.
"Time" shows various expressions as time passes.
From white to orange, and back to white.
The gradations of orange seen in between evoke a sense of "time" different from a clock's hands.
The trumpet's light illuminates daily activities, while the teardrop's light embraces their lingering presence.
The two "time" lamps create a quiet rhythm in daily life with their respective lights.
Even in busy days, whenever I look up, the expression of the light seems slightly different.
It's不思議 that each time, my mind feels calm and organized.
May a soft light like "time" illuminate everyone's daily lives.








3RD CERAMICS Pendant Lamp Time Trumpet
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
一年ぶりの再会を漆のお椀でおもてなし 先日、わが家に嬉しいお客さまがいらっしゃいました。福井県・鯖江から足を運んでくださったのは、土直漆器の土田さん。お会いするのは、およそ一年ぶりです。作り手の方と直接お話しできる時間は、私にとって楽しみのひとつ。久しぶりにお会いした土田さんは相変わらず穏やかで、顔を合わせた瞬間から自然と会話が弾みました。 せっかく遠くから来てくださったので、ささやかなおもてなしを。以前、土直漆器さんに作っていただいた「雑煮椀」に、抹茶ゼリーや白玉、あんこを盛り付けてお出ししました。普段はお雑煮や汁ものを盛ることの多いお椀ですが、この日は少し趣を変えて、甘いものを。 漆器って、もっと自由でいい 漆のお椀に甘味を盛っても大丈夫かな、と出す直前まで少し気になっていたのですが、テーブルに並べると、土田さんはとても喜んでくださって。 「福井には、漆器にパフェを盛って出しているカフェもあるんですよ。だから、こういう使い方も全然OKです!」 そう言って笑顔で召し上がる姿に、私もすっかり安心しました。 漆器というと、どうしても「特別な日に使うもの」と少し構えてしまうところがあります。でも、こんなふうに甘いものを盛ってみたり、普段の食卓に取り入れてみたり。作り手の方から「もっと自由に使っていい」と聞くと、漆器との距離が少し近くなったような気がします。 そんな話をしながら、和やかにお茶の時間を過ごしていると、いつの間にか話題は「漆」のことへ。「最近、自分で金継ぎに挑戦してみたんですよ」と、先日のコラムで紹介した「辻田の金継ぎ」の話をしたときのことでした。 「あ、辻田さん!知り合いですよ」 思いがけないひと言に、びっくり。聞けば、辻田さんと土田さんは、同じ福井で漆に携わる作り手同士。以前からつながりがあったそうです。心惹かれたものの背景に、こんなふうに作り手同士のつながりがあると知ると、なんだか嬉しくなります。ひとつのうつわをきっかけに、また新しいご縁を知ることができたような気がしました。 はじめて出会った若狭塗 そんな話に花を咲かせていると、土田さんが大事そうに包みを開いて、ひとつのお椀を見せてくれました。 それが、若狭塗の「合鹿椀(ごうろくわん)」です。 包みを開いた瞬間、まず目に入ったのは、深い漆の艶と、外側に浮かぶ細かな模様。見る角度によって光の表情が変わり、ひと目見た瞬間に心を奪われました。 若狭塗は、卵の殻や青貝、松葉などを使って模様をつくり、その上から漆を幾重にも塗り重ね、最後に表面を研いで模様を浮かび上がらせる技法。なかでも、最後の「研ぎ出し」が若狭塗の大切な工程なのだそうです。 どこを、どのくらい研ぐのか。塗り重ねられた漆の下にある模様を見極めながら、少しずつ表情を引き出していく。その工程には、職人の経験と技術が詰まっています。 この見事な若狭塗を手がけたのは、福井県小浜市で100年以上続く「加福漆器店」の4代目、加福宗徳さん。小浜市に3人しかいない若狭塗伝統工芸士のお一人です。 ふたつの工房がつないだ一椀 さらに心を惹きつけられたのは、このお椀がふたつの工房の手仕事のリレーから生まれているということでした。 木地づくりから内側と底の漆塗りまでを手がける土直漆器さんと、外側の若狭塗を手がける加福漆器店さん。 内側には、欅(けやき)の木地に漆を塗り重ねる「木地呂塗(きじろぬり)」が施され、漆の艶の奥から美しい木目が浮かび上がります。外側の青貝や松葉が散りばめられた華やかな若狭塗とはまた違う、木そのものの温もりを感じる趣です。 それぞれの工房で受け継がれてきた技術が、ひとつのお椀のなかで見事に重なり合う。内と外で異なる表情を持つからこそ、手に取るたびにじっくりと眺めたくなる。なんとも贅沢な手仕事を見せていただいた気持ちになりました。 最後のひとつをわが家へ このお椀が完成するまでには、なんと2年もの歳月がかかったそうです。そして、つくられたのはわずか10個。 そんな貴重なお椀ですが、今回、土田さんの手元に残っていた最後のひとつを、特別にお譲りいただけることになりました。 土田さんとの久しぶりの再会から、思いがけず若狭塗のお椀に出会い、最後のひとつをわが家に迎えることになるとは。いくつものご縁が重なって手元に迎えることができたことを嬉しく思います。 これほど美しいお椀を、すぐに料理に使うのは少しもったいない気もして。しばらくは、光の加減で変わる青貝のきらめきや、漆の艶、内側に広がる欅の木目を、じっくり眺めていたい。...
Carving a New Concept of Time with Cherished Vessels Even our most treasured vessels can break in a fleeting moment. I, too, once accidentally dropped and broke a favorite piece....
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