Welcoming New Pieces and the Arrival of Autumn
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
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Maker: Keizan Kiln / Arita, Nishimatsuura District, Saga Prefecture
Material: Porcelain
Size: approx. φ78 x H62 mm
Capacity: approx. 150ml (full)
Microwave: Yes
Dishwasher: Yes
Oven: No
*Please note that due to the hand-drawn nature of the products, there may be individual differences in patterns and shades.
*Since this is an overglaze product, there is a possibility that the overglaze pattern may fade with prolonged use, depending on the usage conditions.
*We recommend washing with dish soap and a soft sponge.
Gift wrapping is available for 390 yen (tax included) per item.
Please select "Would you like gift wrapping?" below the "Add to Cart" button on each product page.
If you have selected multiple items and would like each to be wrapped individually, please purchase the necessary number of gift wrappings.
If you would like items to be wrapped together, please specify this in the "Notes" section of your cart, and we will accommodate your request.
Normally, your selected items will be shipped within 1 to 2 business days (excluding weekends and holidays).
In some cases, such as during busy periods or when extra care is needed for inspection and packaging, it may take a little longer. However, all orders will be dispatched within a maximum of 7 business days.
Should there be a delay beyond the usual timeframe, we will contact you via email in advance.
We will also send a shipping confirmation email with a tracking number as soon as your items have been dispatched.
*Please note that each separate order is shipped as a separate package.
Due to our system, we are unable to consolidate multiple orders after they have been placed. We appreciate your understanding.
Please note: Date and time specification is available ONLY for shipping addresses within Japan.
For international orders, your items will be shipped as soon as they are ready, and we are unable to accept specific delivery date or time requests.
[For Domestic Shipping Within Japan]
For orders placed by 12:00 PM (JST) on business days, the order will be processed on the same day. You may select a delivery date starting from 3 days after your order date.
If you prefer the earliest possible delivery, please leave the date unspecified, and we will ship your items as soon as they are ready.
*Please note that time-specific delivery may not be available for certain remote islands or mountainous regions within Japan.
Additionally, for areas that require more days for delivery, we may not be able to meet your requested date. In such cases, we will contact you in advance.
*For large items such as furniture, scheduled delivery is not available as they require specialized shipping services. We appreciate your understanding.
*During peak seasons in Japan—such as the New Year holidays, Obon (mid-August), or seasonal gift-giving periods (Ochugen in July and Oseibo in December)—date and time specifications may be temporarily unavailable due to high courier volumes.
Keizan KilnKeizan Kiln was founded in 1957, inheriting the tradition of Arita Town, where Japanese porcelain was born 400 years ago.
As it was founded to pursue the beauty of sometsuke (blue and white porcelain), the variety of soba choko (sake cups used for dipping soba noodles) alone is astonishing, ranging from classical patterns to modern designs.
Each piece is so unique that you'd want to call it a "once-in-a-lifetime encounter," and as you look at them, you can't help but want to pick up one after another.
All of Keizan Kiln's works, from molding to painting and firing, are done in-house, with the craftsman's passion poured into every detail of each piece.
Perhaps this is why the pieces exude a certain gentleness and suppleness.
Soba ChokoOne of its charms is the unique goshu (cobalt blue pigment) painting, characteristic of Keizan Kiln, which stands out against the elegant whiteness and moist texture unique to porcelain.
In addition to its visual beauty, its soft mouthfeel and the transparency when pouring soup combine to create a refreshing sensation.
Another feature is the deep meaning embedded in the painting.
For example, "Akae Tsubaki" (Red Camellia) symbolizes strength, passion, and dignified vitality, while "Nadenazuna" (Shepherd's Purse) expresses a wish for purity, good health, and small everyday happiness.
Knowing the background has increased the joy of cooking, and it seems likely to be useful for entertaining guests.
Thinking about such small wishes and stories embedded in everyday tableware deepens one's affection for them when they are placed on the dining table.

Being porcelain, it has low water absorption and is less prone to staining, making it easy to wash and maintain.
The ease of keeping it clean is also a welcome point for daily use.
Multi-purpose UtensilWhen you hear "soba choko," you probably think of a bowl for eating soba, but when you actually hold it, you'll be surprised at its versatility.
Its practicality, such as being usable as a small bowl or dessert cup, is also a welcome feature.
It pairs particularly well with traditional Japanese sweets like anmitsu.
Combined with the cute karako (Chinese boy) painting, the transparency of the agar, the vibrant colors of the fruit, and the luster of the brown sugar syrup are beautifully reflected in the small form of the soba choko.
Soba choko also expands the enjoyment of choosing different ones to match your mood.
Making Chawanmushi with a SteamerI thought the soba choko would be the perfect size for serving small portions of side dishes and aemono (dressed dishes), so I decided to try making chawanmushi (savory egg custard) using a steamer.
Thanks to its moderate thickness and gentle roundness, the heat cooked evenly.
The egg mixture set softly in the bowl, and when I opened the lid, the surface was smooth and beautifully finished.
Inside, I added small amounts of chicken, shiitake mushrooms, ginkgo nuts, and mitsuba (Japanese parsley).
The colors of the ingredients and the pattern of the bowl blended, creating a visually pleasing dish.
The palm-sized feel unique to soba choko also added to its charm.
When you use Keizan Kiln's ceramics with creative ideas, their ease of use makes you want to try new dishes and plating styles.
A Bowl That Invites CoolnessKeizan Kiln's ceramics are characterized by their clear appearance, woven from the blue of sometsuke and the blank spaces of white porcelain, offering a visual sense of coolness.
Each time you plate food, the dining table's scene is instantly harmonized, bringing a calm atmosphere.
Furthermore, Keizan Kiln's ceramics feel more like "displaying" than "storing," and the overlapping colors and patterns, along with the balance between the pieces, beautifully arrange the shelves.
As my collection of favorite ceramics gradually grows, I greatly appreciate their stackability and ease of storage.




Keizan Kiln Sometsuke Shippo Soba Choko
The Arrival of Autumn and Welcoming a New Mizuya Tansu It feels as though summer was rather short this year. When the morning and evening breezes begin to carry the...
一年ぶりの再会を漆のお椀でおもてなし 先日、わが家に嬉しいお客さまがいらっしゃいました。福井県・鯖江から足を運んでくださったのは、土直漆器の土田さん。お会いするのは、およそ一年ぶりです。作り手の方と直接お話しできる時間は、私にとって楽しみのひとつ。久しぶりにお会いした土田さんは相変わらず穏やかで、顔を合わせた瞬間から自然と会話が弾みました。 せっかく遠くから来てくださったので、ささやかなおもてなしを。以前、土直漆器さんに作っていただいた「雑煮椀」に、抹茶ゼリーや白玉、あんこを盛り付けてお出ししました。普段はお雑煮や汁ものを盛ることの多いお椀ですが、この日は少し趣を変えて、甘いものを。 漆器って、もっと自由でいい 漆のお椀に甘味を盛っても大丈夫かな、と出す直前まで少し気になっていたのですが、テーブルに並べると、土田さんはとても喜んでくださって。 「福井には、漆器にパフェを盛って出しているカフェもあるんですよ。だから、こういう使い方も全然OKです!」 そう言って笑顔で召し上がる姿に、私もすっかり安心しました。 漆器というと、どうしても「特別な日に使うもの」と少し構えてしまうところがあります。でも、こんなふうに甘いものを盛ってみたり、普段の食卓に取り入れてみたり。作り手の方から「もっと自由に使っていい」と聞くと、漆器との距離が少し近くなったような気がします。 そんな話をしながら、和やかにお茶の時間を過ごしていると、いつの間にか話題は「漆」のことへ。「最近、自分で金継ぎに挑戦してみたんですよ」と、先日のコラムで紹介した「辻田の金継ぎ」の話をしたときのことでした。 「あ、辻田さん!知り合いですよ」 思いがけないひと言に、びっくり。聞けば、辻田さんと土田さんは、同じ福井で漆に携わる作り手同士。以前からつながりがあったそうです。心惹かれたものの背景に、こんなふうに作り手同士のつながりがあると知ると、なんだか嬉しくなります。ひとつのうつわをきっかけに、また新しいご縁を知ることができたような気がしました。 はじめて出会った若狭塗 そんな話に花を咲かせていると、土田さんが大事そうに包みを開いて、ひとつのお椀を見せてくれました。 それが、若狭塗の「合鹿椀(ごうろくわん)」です。 包みを開いた瞬間、まず目に入ったのは、深い漆の艶と、外側に浮かぶ細かな模様。見る角度によって光の表情が変わり、ひと目見た瞬間に心を奪われました。 若狭塗は、卵の殻や青貝、松葉などを使って模様をつくり、その上から漆を幾重にも塗り重ね、最後に表面を研いで模様を浮かび上がらせる技法。なかでも、最後の「研ぎ出し」が若狭塗の大切な工程なのだそうです。 どこを、どのくらい研ぐのか。塗り重ねられた漆の下にある模様を見極めながら、少しずつ表情を引き出していく。その工程には、職人の経験と技術が詰まっています。 この見事な若狭塗を手がけたのは、福井県小浜市で100年以上続く「加福漆器店」の4代目、加福宗徳さん。小浜市に3人しかいない若狭塗伝統工芸士のお一人です。 ふたつの工房がつないだ一椀 さらに心を惹きつけられたのは、このお椀がふたつの工房の手仕事のリレーから生まれているということでした。 木地づくりから内側と底の漆塗りまでを手がける土直漆器さんと、外側の若狭塗を手がける加福漆器店さん。 内側には、欅(けやき)の木地に漆を塗り重ねる「木地呂塗(きじろぬり)」が施され、漆の艶の奥から美しい木目が浮かび上がります。外側の青貝や松葉が散りばめられた華やかな若狭塗とはまた違う、木そのものの温もりを感じる趣です。 それぞれの工房で受け継がれてきた技術が、ひとつのお椀のなかで見事に重なり合う。内と外で異なる表情を持つからこそ、手に取るたびにじっくりと眺めたくなる。なんとも贅沢な手仕事を見せていただいた気持ちになりました。 最後のひとつをわが家へ このお椀が完成するまでには、なんと2年もの歳月がかかったそうです。そして、つくられたのはわずか10個。 そんな貴重なお椀ですが、今回、土田さんの手元に残っていた最後のひとつを、特別にお譲りいただけることになりました。 土田さんとの久しぶりの再会から、思いがけず若狭塗のお椀に出会い、最後のひとつをわが家に迎えることになるとは。いくつものご縁が重なって手元に迎えることができたことを嬉しく思います。 これほど美しいお椀を、すぐに料理に使うのは少しもったいない気もして。しばらくは、光の加減で変わる青貝のきらめきや、漆の艶、内側に広がる欅の木目を、じっくり眺めていたい。...
Carving a New Concept of Time with Cherished Vessels Even our most treasured vessels can break in a fleeting moment. I, too, once accidentally dropped and broke a favorite piece....
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